Hartford Public Library’s Hartford History Center online exhibit about the centennial of women’s suffrage in Hartford has been recognized by the Connecticut League of History Organizations (CLHO) with a 2021 Award of Merit.
The award was announced on Tuesday, April 20 at CLHO’s annual meeting.
“We are delighted to receive the Award of Merit from the CLHO. The story of women’s suffrage in Connecticut is such an important one. The Hartford History Center’s voter registration records gave us the opportunity to bring to life the women who fought for this essential American right. We are grateful for the recognition and for the chance to share this piece of history,” said Brenda Miller, the Library’s Executive Director, Culture and Communications.
In October 1920, with the passage of the 19th Amendment, thousands of Hartford women queued up to register for the newly acquired right to vote in the upcoming presidential election. Hartford Public Library’s Hartford History Center (HHC) sought to commemorate that important moment in state history with an online exhibit called October 1920.
The spine of the project comes from a collection of voter registration cards preserved in the HHC. The cards from that landmark year offered a trove of demographic and biographic information about who came to the polls in that historic election. HHC History Research Specialist Maureen Heher and Archivist Jennifer Sharp were leads on the project.
“The committee uniformly agreed that voter registration cards offered a unique and revealing window on the experiences of the women who gained the franchise in 1920. By examining, analyzing, and contextualizing these seemingly mundane primary sources, the project opened up a new lens on the voter experience, placing it in historical perspective while also connecting it to current debates,” wrote Amrys O. Williams, executive director of the Connecticut League of Historical Organizations, based at Central Connecticut State University.
The exhibit went live September 14, 2020, the 100th anniversary of the day when the state of Connecticut ratified the 19th Amendment to the Constitution, giving women the right to vote. Through the historical records, we are introduced to a diverse contingent of civic-minded women – whether single, married, or widowed; black or white; Jewish or Christian; housewives, stenographers, undertakers; native born or foreign born – who took advantage of this long-sought opportunity to register to vote.
The digitization of the Hartford Voter Registration Collection held in the Library’s Hartford History Center, and the subsequent transcription of the cards and making the cards’ digital images accessible online through the Connecticut Digital Archive was made possible through the generous support of Abraham Ford Jr., Hartford Foundation for Public Giving, Michael Howser, Janice Mathews, Anne E. McAloon, B. Miller and Pradeep Bajaj, Pomeroy-Brace Fund, Brenda Roggeveen, Gilda and David Roncari, and Stephen and Amy Saunders.
To see the exhibit, visit hplct.libguides.com/October1920.
Additional resources and a curriculum appropriate for 10th grade can be found here: hplct.libguides.com/October1920/resources
For more information about the Hartford History Center, visit its webpage.
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Part of what has made the distribution of food go so smoothly at Barbour Library over the past several months has been the help of a committed group of teens from Our Piece of the Pie, a local nonprofit youth empowerment organization.
Rachel Loughran, a workforce development specialist for OPP, and her team of students worked quickly this past Thursday, bagging groceries provided by Foodshare, a local organization devoted to combating hunger. They made sure that each bag had an even distribution of everything – cereal, canned fruits and vegetables, shelf stable milk, and other staples.
Over the past several months the teens from OPP, aged 16 to 22, have helped to set up for Barbour Library’s monthly Foodshare program. The program has been a success, feeding hundreds of North End families. Last week alone, about 100 bags of much needed food was distributed.
Part of OPP’s long term goal is to help city teenagers get work and educational experience. To that end, seven OPP teens will be doing internships this summer with HPL’s YouMedia department. “This has been an awesome partnership,” said Loughran. “They really get to see their impact in the community.”
For Barbour Library manager Irene Blean, every bit of help is appreciated. Blean has seen the need for basic services in the community, including food, and has been excited to help. The food distribution days have been an excellent way for local civic organizations to partner with each other – the library’s relationship with OPP is a great example. The library gets much needed assistance and students get real life work experience.
“Any time the community steps up to help each other and OPP can play a role, we are excited to participate,” Loughran said.
Loughran and Blean caught up for a bit as the teens waited for their next task. “Anything we can do to help set up before we go?” Loughran said. “We’ve got a big team here and we are efficient.”
A few tables needed to be moved onto the sidewalk outside the branch. No problem. Five minutes after the request was made, everything was set up outside, ready to distribute the groceries to the community.
Loughran said OPP participated in a variety of projects, but working with the library has offered the students a new perspective. One of the assignments she gave the students was to go to hplct.org and find 10 things they didn’t know the library did. “They were really surprised,” Loughran said.
Hartford Public Library is looking for jazz musicians to play in our 2022 Kaman Foundation Baby Grand Jazz series.
The library is seeking submissions from local and regional musical artists to be part of our dynamic concert series, which set attendance records in 2021 and played to thousands of viewers online during 2021. These popular free concerts have been a staple of Hartford Public Library since 2004.
The Baby Grand Jazz series runs 16 Sundays from January through April. Ensembles must include a pianist who will play the Library’s grand piano. The 2022 series will be in person, CDC guidelines permitting, and the concerts will be livestreamed on HPL’s Facebook and YouTube channel. Rolling submissions; deadline for the 2022 series is June 30, 2021.
Submit here: https://hplct.submittable.com/submit/185929/baby-grand-jazz-series-2022
Hartford Public Library supports artistic excellence by engaging local communities in new and exciting ways through an array of inspiring artistic programs. As an anchor institution, the Library plays an important role in the region’s cultural, social and economic development while contributing to the stability, safety and quality of life in Hartford.
For information about the Baby Grand Jazz series, visit https://www.hplct.org/classes-seminars-exhibits/baby-grand-jazz
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Over 500 Hartford residents were vaccinated during a clinic held at Dwight Library April 7-9.
When Liz Matias, Dwight Library manager, arrived shortly before 8:30 am on Thursday, the second day of the clinic, people were already at the door waiting for the 10 am start time.
“There was a line, a long line,” Matias said. “The word spread like wildfire.”
Matias said that vaccination appointments can be a lot harder for Dwight neighborhood residents to obtain. There are often issues with internet connectivity, language difficulties, and limited access to transportation.
“There are a lot of barriers,” she said.
Open clinics like the one held at Dwight make it easy for the most vulnerable to have ready access to the vaccine.
People who showed up walked into a smoothly running machine. Members of National Guard helped people fill out registration paperwork outside. Those desiring vaccination checked in with a member of the Griffin Health team, and then moved into a socially distanced waiting area before their shot. Once they had their vaccination, there was a sunny spot reserved by the library’s large windows for their observation period.
Matias and her team had thought through the process carefully. “Everything is set up so it flows,” she said.
Matias, who speaks Spanish, acted as an interpreter for many of the people who came in for their shots. She moved around the room, guiding people to their next step in the process, making sure that people were comfortable and had what they needed.
An elderly gentleman who was a bit unsteady on his feet stood up. Matias walked over: “Can I take your other arm?” she said, leading the man to the door. He went off into a bright day, fully vaccinated courtesy of HPL and Griffin Health.
“It’s just such a great opportunity for the community to have this available to them,” said Matias.
By Steve Scarpa, manager of communications and public relations
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Over the past month Hartford Public Library’s 2021 NEA Big Read celebrated acclaimed novelist Julia Alvarez’s books “In the Time of the Butterflies” and youth selection “How Tia Lola Came to (Visit) Stay.”
We hope you enjoyed exploring how the books’ themes of Dominican pride, free-thinking, resilience, and women’s rights take root right here in our own backyard.
Putting on the 2021 NEA Big Read was a huge community effort.
Thank you to Hartford’s vibrant Dominican community for teaching us more about the history of the Mirabal Sisters and the legacy of Julia Alvarez.
Thank you also to Ray Gonzalez Latin Jazz Quintet, Baila Con Gusto CT, Surcari and Rey Kellys Band for their lively performances, and to our partners Caribe Restaurant, Bodega Blush, Hispanic Health Council, and UConn Hartford for offering their expertise and sharing the Big Read with their communities.
Much gratitude to CT’s own revolutionary Latinas who graced us with their power and artistry: Edna Negron, Glaisma Perez-Silva, Addys Castillo, Cin Martinez, I-SHEA, Zulynette, Luzy Rivera, Jocelyn Cerda, Jennifer Perez Caraballo, Diana Aldrete, and Lindaluz Carrillo. We are so grateful to the literary matriarch herself, Julia Alvarez, for visiting Hartford (virtually), and to poet Sarahí Almonte Caraballo, who hosted Alvarez with an open heart.
And lastly, thank you to everyone who read Julia Alvarez’s books along with us, attended Big Read programs, and shared your own stories, takeaways, lessons, and manifestos.
“A novel is not, after all, a historical document, but a way to travel through the human heart” – Julia Alvarez
Down These Mean Streets
By Piri Thomas
Thirty years ago Piri Thomas made literary history with this lacerating, lyrical memoir of his coming of age on the streets of Spanish Harlem. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas’s plunge into the deadly consolations of drugs, street fighting, and armed robbery–a descent that ended when the twenty-two-year-old Piri was sent to prison for shooting a cop.
The Woman Warrior
By Maxine Hong Kingston
In her award-winning book The Woman Warrior, Maxine Hong Kingston created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American. A warrior of words, Kingston forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family’s past and her own present.
The House on Mango Street
By Sandra Cisneros
Acclaimed by critics, beloved by readers of all ages, taught everywhere from inner-city grade schools to universities across the country, and translated all over the world, The House on Mango Street is the remarkable story of Esperanza Cordero. Told in a series of vignettes – sometimes heartbreaking, sometimes deeply joyous – it is the story of a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Few other books in our time have touched so many readers.
Create Dangerously
By Edwidge Danticat
In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.
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Julia Alvarez believes that stories can change the world.
She ought to know – her deeply empathetic characters and universal stories have resonated the world over, inspiring activists and writers alike to create.
Alvarez spoke to over 300 people from across the world live on Facebook and YouTube on Thursday, March 25 in the conclusion of Hartford Public Library’s month long celebration of her iconic novel “In the Time of the Butterflies.” “It’s a virtual event, but it is as good or better than ever,” said HPL president and CEO Bridget Quinn.
Alvarez and local poet Sarahi Almonte Caraballo had a wide ranging discussion about creativity, the power of stories, and how representation in those stories creates empathy.
First, however, Alvarez gave a brief presentation about her and her inspiration for the novel “In the Time of the Butterflies,” this year’s NEA “Big Read” novel.
Alvarez was born in the United States but her family became homesick and returned to the Dominican Republic when she was young. Her father was the youngest of 25 children, so Alvarez grew up in a happy family bubble, insulated from the realities of life under the dictator Trujillo.
“I had tios and tias and cousins all over the place. It was like a little village … the way I describe my childhood is that I always had a hand to hold,” she said.
While Alvarez grew up in a storytelling culture, one that she believes taught her everything she needed to know, no one read books. An aunt gave Alvarez the single book she had growing up as a child – “One Thousand and One Nights.”
The novel tells the story of Scheherazade, a young woman who staves off the murderous intentions of an evil sultan by telling him a story every night. The resourceful young woman’s stories saved lives because they changed hearts, Alvarez said.
“I wanted to be someone like that. I didn’t know how you did that. It was amazing that stories had that kind of power,” she said.
When Alvarez heard the story of Las Mariposas, the Mirabal sisters who opposed Trujillo and were murdered because of it, she was captivated. “I always thought of them as my sisters who didn’t make it,” she said. “I felt like I owed them something, but I didn’t know what.”
The uprising against Trujillo was an important part of Alvarez’s life story. Her family fled the Dominican Republic to New York because of his involvement in the uprising. She lost family members to the Trujillo regime. It was when Alvarez was introduced to a fourth Mirabal sister – the one her survived – that she realized she needed to tell the story.
“If this isn’t the green light from the powers that be, I don’t know what is,” Alvarez said.
Thanks to Alvarez, the local story of The Butterflies became an international phenomenon. In 1999, the United Nations dedicated November 25 as International Day for the Elimination of Violence Against Women, marking the anniversary of the deaths of the Mirabal sisters.
“I didn’t think the story that I told would help people to find their own Mariposas,” Alvarez said.
Caraballo, a Connecticut resident, poet, nurse and performer, was one of those people. She described Alvarez as a “literary matriarch,” leading the way for Latinx writers to step forward with their own stories and life experiences.
“I’d been trying to find myself in a book for years,” Caraballo said.
Books like Alvarez’s led Caraballo to find her voice as a poet. Caraballo grew up split between English and Spanish, moving between different cultures, different schools. She described herself as a “bridge person,” someone who connected different groups to each other.
“I always say I grew up in transit,” Caraballo said.
There is often an emphasis on books that take us other places. For Caraballo, it was important to find books that took her home. Alvarez’s work, particularly her novel “Something to Declare,” did that for her.
Alvarez said when she was starting out as a writer, there was no such thing as multicultural literature. “It just wasn’t out there. We were trying to find ourselves. The books that we were missing were the ones we set out to write,” Alvarez said.
Alvarez quoted writer Toni Morrison – the function of freedom is to free someone else. Stories are one way to offer freedom and hope.
“I was at home in the world of story. Everyone was welcome. You become the other and the other becomes you,” Alvarez said.
The evening concluded with a tender moment between Caraballo and Alvarez. Julia would turn 71 over the weekend, and Caraballo had written a poem in her honor. It was a piece about a woman finding herself.
“If I didn’t have my makeup, I’d cry,” said Alvarez, visibly moved by Caraballo’s words.
– By Steven Scarpa, manager of communications and public relations
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Spencer G. Shaw knew from his sophomore year at Weaver High School that he wanted to work in a library.
“There was something about it—I just liked it,” Shaw said in an oral history recorded in Hartford Public Library in 2006. A transcript of that recording is available today in the Library’s third floor Hartford History Center.
“I always liked books, as did my sisters and so forth. We liked that, because we had books at home, and we were read to a lot, and so forth. When I used to come out of school, the Northwest Grammar School, on my way home after school I would sometimes dash into the Northwest Library to see what latest sports book was in the collection … if I found a sports book, but I didn’t have my library card, I would run down and hide it behind the history collection! Then go home and get my card, and come back.”
That book-smitten child would go on to become Hartford Public Library’s – and possibly the state of Connecticut’s – first African-American librarian.
In recognition of Shaw’s groundbreaking role, The Black Caucus of the American Library Association – Connecticut Affiliate has announced a scholarship available to an African-American Connecticut resident accepted in an MLS degree program from an ALA accredited Master’s Program in Library and Information Studies.
Interested applicants should visit https://sites.google.com/view/bcala-ct/scholarships/2021-application
Shaw’s work led him well beyond the borders of beloved hometown of Hartford. He received national and international recognition in his field – library service to children – taking him on an exciting professional odyssey: Hartford, Brooklyn, Nassau County, to radio, television and films, to talks and lectures at universities across America and the globe.
“(Shaw is) a leader among librarians and educators, an authentic and forthright spokesperson for children and youth librarians in the State of Washington and the nation, (contributing) enormously in motivating and guiding the nation’s youth,” the American Library Association said about Shaw.
But it all began for Shaw at the Keney Branch Library in 1941. Shaw said it was an exciting time to start a career in librarianship in Hartford. The branch was located at the convergence of Albany Avenue and Main Street in an ethnically diverse neighborhood. It was a working class neighborhood, Shaw recalled, and not immune to racial prejudice. When he was hired, the assistant librarian resigned, something he said she later regretted.
An offhanded remark propelled Shaw into what would become the defining focus of his career – storytelling.
“I shall never forget preparing for that first program. Julia said (Moriarity, Shaw’s assistant), “Spencer, do you want me to do the storytelling, or would you like to do it?” Not thinking very wisely, I said, “Julia, I’ll do it.” So I prepared. And on the day of the first storytelling session, I looked outside the door of the library, which was locked, and saw some children already lining up. This was before television; they had no other place to go!” Shaw said.
He read a version of “Snow White and the Seven Dwarves,” leading him to embrace the universality of fairy tales. Over time, Shaw put together a kind of story hour ritual, with music, candles and beautiful stories from all over the world. He believed that the stories not only gave children a chance to exercise their imaginations, but also as a place to learn empathy.
“From the very beginning, I tried to use the literature, in terms of storytelling, to entertain, yes, but also to lead the listener, or guide the listener, from listening to the book. And also another thing we tried to do through this was to give them the best that there was in literature. And of course, one of my basic uses was to develop a sense of cultural understanding, by stories from different countries,” Shaw said.
It was in Hartford that Shaw began to develop skills he would use the rest of his career. He not only learned the particulars of administrating a library, but he found that he was drawn to working with children. “You learn so much with the children! They can be reached; I don’t care who they are from what background they come,” Shaw said.
Shaw left Hartford Public Library in 1949 and spent the next half-century working throughout the country, honing his storytelling craft. He returned to the greater Hartford area after his retirement, and volunteered as a storyteller at the library well into his late 80s. He died in 2010 at the age of 93.
At the end of his 2006 oral history, Shaw shared a quote he concluded his book talks with. It’s a celebration of what books can give:
“It goes like this, and I’ve always used it … This is by Abbie Farrell Brown. ‘Here’s an adventure. What awaits beyond these closed, mysterious gates? Whom shall I meet? Where shall I go beyond this lovely land I know? Above the sky? Across the sea? What shall I learn, and feel, and be? Open, strange doors, to good or ill! I hold my breath a moment still before the magic of your look. What will you do to me, oh book?’”
by Steven Scarpa, manager of communications and public relations
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Hartford Public Library will be reopening its Downtown Library for curated browsing of the collection and socially distanced seating beginning April 19.
The hours of operation will continue to be 9 am to 6 pm Monday-Thursday, 9 am -5 pm Friday and Saturday.
Customers will be allowed to use the library for a two-hour visit period. Self-check machines will be available for customer convenience and safety. Borrowing library materials through HPL’s contact-free service will continue at all library locations. In addition, the Downtown Library will continue to offer dedicated computer use and copying and faxing.
“It’s been a long year, yet we persevered and are emerging on the other side. We were challenged, but persisted and became stronger. And now, we can come back together and continue our path towards a new post-covid reality,” said HPL president and CEO Bridget Quinn.
The Downtown Library will continue to offer appointments for Municipal ID, passport services, and will restore notary services. The American Place and the Hartford History Center will continue to operate by appointment-only for the immediate future.
The third floor children’s room is currently having its flooring replaced and will not be available for public use but materials for children will be available as part of the browsing collection on the first floor. The ground floor will remain available to University of Connecticut students, faculty and staff who have a UConn ID.
There will be a phased reopening of HPL’s neighborhood branches. Beginning in early May the Camp Field Library and Barbour Street Library will open two days per week with other branch locations to follow throughout the upcoming months. Details on the schedule of days and hours will be announced at a later date.
“In our reopening, we will be adhering to measures set by state and local guidelines to safely accommodate you including a mask requirement for staff and the public. We look forward to welcoming our customers back soon,” Quinn said.
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Glaisma Perez Silva has muses that inspire her poetry – her identity as a black Puerto Rican woman, her migration from Puerto Rico, the things she sees around her.
When the muses speak, Perez Silva is ready to listen. An idea will arrive and Glaisma will grab whatever she has at hand – even a napkin will work under the right circumstances – to get her thoughts down.
“That’s why sometimes you have to take advantage of the moment or it will disappear and you will say, ‘what was that?’ It is difficult to catch it, or it will come in a different form,” she said. “Once you learn to identify the magic of the moment, the words will flow.”
Perez Silva, a long time Hartford educator, will share her poetry at Hartford Public Library’s Revolutionary Latinas performance, taking place Thursday, March 18 from 7 to 8 pm on HPL’s Facebook and YouTube pages. She will be collaborating with a musician and dancer on a piece about Latina identity, she said.
An educator for the past 40 years, Perez Silva came to Hartford from Puerto Rico in 1988 as part of one of the city’s last bilingual teacher recruitment efforts. “I did not realize I was a poet until I came to Hartford and started feeling the loneliness of being away from my homeland and my family,” she said. “It depends on the circumstances to provoke the muse.”
At first, Perez Silva kept her poetry to herself, ashamed of sharing her words. She branched out slowly, offering her work to a couple of close friends. “When you are sharing your poetry, you are sharing an intimate part of yourself,” Perez-Silva said.
The friends decided to take the leap and present their poetry for a small invited audience. One step at time, the gatherings got bigger, until Perez Silva was part of public performances all around Hartford. “For years I have been evolving in different ways,” she said.
Glaisma writes and performs in Spanish, her native language. It’s important to her to create that way, a small act of cultural rebellion she proudly engages in. She said that when writing in Spanish her voice becomes more concrete and assertive. Her poetry can be demanding and patriotic, and then shift to a tender, mellow, sexy tone.
She is proud of her cultural heritage and deeply respects the way writer Julia Alvarez has represented the uniqueness of the Dominican culture in “In the Time of the Butterflies. “There is a common language, but there are also differences that are unique and make us proud of our homelands,” she said.
By Steven Scarpa, manager of communications and public relations
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